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Jacob has represented public and private companies in a range of industries, with a particular concentration in the music industry. Jacob has worked on numerous high-profile disputes that have shaped music rate-setting law, for both new media and traditional media companies. Jacob has particular expertise before the ASCAP and BMI rate courts as well as before the Copyright Royalty Board, where he has tried four separate cases. Jacob also advises clients in connection with intellectual property licensing. Jacob has also been actively involved in representing clients before the U.S. Department of Justice and the U.S. Copyright Office as part of their recurring reviews of the music licensing landscape.[[--readmore--]]\u003c/p\u003e\n\u003cp\u003eJacob was formerly an analyst and manager at Lexecon, Inc. (now Compass Lexecon), one of the premier economic consulting firms. While there, he advised clients on antitrust and intellectual property disputes, with a focus on the music and energy industries.\u003c/p\u003e","slug":"jacob-ebin","email":"jebin@kslaw.com","phone":null,"matters":["\u003cp\u003e\u003cstrong\u003eMusic Licensing Trial Experience\u003c/strong\u003e\u003c/p\u003e\n\u003cp\u003eRepresented Spotify USA, Inc. in the successful appeal of a Copyright Royalty Board decision setting rates and terms for \u0026ldquo;mechanical\u0026rdquo; rights licenses to be paid to songwriters and music publishers as well as the resulting remand proceeding. (\u003cem\u003eJohnson v. Copyright Royalty Board\u003c/em\u003e).\u003c/p\u003e","\u003cp\u003eRepresented Sirius XM in a five-week trial before the Copyright Royalty Board in a litigation over appropriate royalty rates and terms for Sirius XM\u0026rsquo;s public performance of sound recordings. (\u003cem\u003eIn re Determination of Royalty Rates and Terms for Transmission of Sound Recordings by Satellite Radio and \u0026ldquo;Preexisting\u0026rdquo; Subscription Services\u003c/em\u003e (SDARS III)).\u003c/p\u003e","\u003cp\u003eRepresented Pandora in a five-week trial before the Copyright Royalty Board to set rates for so-called \u0026ldquo;mechanical\u0026rdquo; rights licenses to be paid to songwriters and music publishers. (\u003cem\u003eIn re Determination of Royalty Rates and Terms for Making and Distributing Phonorecords\u003c/em\u003e (Phonorecords III)).\u003c/p\u003e","\u003cp\u003eOn behalf of Pandora, secured highly favorable sound recording performance royalty rates for the 2016-2020 license period following a six-week trial before the Copyright Royalty Board; defended successfully on appeal to the D.C. Circuit. (\u003cem\u003eIn the Matter of Determination of Royalty Rates and Terms for Ephemeral Recording and Webcasting Digital Performance of Sound Recordings\u003c/em\u003e (Web IV)).\u003c/p\u003e","\u003cp\u003eRepresented Sirius XM in a royalty-rate setting victory following 19 days of trial in federal rate-setting litigation before the Copyright Royalty Board; defended successfully on appeal to the D.C. Circuit. (\u003cem\u003eIn the Matter of Determination of Rates and Terms for Preexisting Subscription Services and Satellite Digital Audio Radio Services\u003c/em\u003e (SDARS II)).\u003c/p\u003e","\u003cp\u003eRepresented background music service DMX, Inc. in a precedent-setting trial victory in the BMI Rate Court establishing rates and terms for the first ever BMI \u0026ldquo;Adjustable-Fee Blanket License\u0026rdquo;; defended successfully on appeal to the Second Circuit. (\u003cem\u003eBroadcast Music, Inc. v. DMX, Inc.\u003c/em\u003e).\u003c/p\u003e","\u003cp\u003eComplete trial victory for background music service DMX, Inc. in the ASCAP rate court establishing rates and terms for the first ever ASCAP \u0026ldquo;Adjustable Fee Blanket License\u0026rdquo;; defended successfully on appeal to the Second Circuit. (\u003cem\u003eUnited States v. ASCAP (In the Matter of DMX, Inc.\u003c/em\u003e)).\u003c/p\u003e","\u003cp\u003e\u003cstrong\u003eAdditional Music Licensing Experience\u003c/strong\u003e\u003c/p\u003e\n\u003cp\u003eRepresented the commercial local television industry in ASCAP license fee negotiations, recently securing a significant industry-wide license fee decrease without need to turn to litigation.\u003c/p\u003e","\u003cp\u003eRepresented the Digital Licensee Coordinator in the first ever \u0026ldquo;administrative assessment\u0026rdquo; proceeding to set the budget for the Mechanical License Collective.\u003c/p\u003e","\u003cp\u003eRepresented the commercial local television industry in SESAC license fee negotiations and arbitration in a proceeding to set reasonable rates and terms for SESAC licenses.\u003c/p\u003e","\u003cp\u003eRepresented the commercial local television industry in license fee negotiations and litigation before the ASCAP rate court in a proceeding to set reasonable rates and terms for ASCAP licenses. (\u003cem\u003eIn Re Petition of Duhamel Broadcasting Enterprises, et. al.\u003c/em\u003e).\u003c/p\u003e","\u003cp\u003eRepresented the commercial local television industry in license fee negotiations and litigation before the BMI rate court in a proceeding to set reasonable rates and terms for BMI licenses. (\u003cem\u003eWPIX, Inc. et al v. Broadcast Music, Inc.\u003c/em\u003e).\u003c/p\u003e","\u003cp\u003eRepresented the commercial radio industry in license fee negotiations and litigation before the ASCAP rate court in a proceeding to set reasonable rates and terms for ASCAP licenses. (\u003cem\u003eIn Re Application of the Cromwell Group, Inc.\u003c/em\u003e).\u003c/p\u003e","\u003cp\u003eRepresented the commercial radio industry in license fee negotiations and litigation before the BMI rate court in a proceeding to set reasonable rates and terms for BMI licenses. (\u003cem\u003eWithers Broadcasting Co., et al v. Broadcast Music, Inc.\u003c/em\u003e).\u003c/p\u003e","\u003cp\u003eSuccessfully represented a group of local television stations as plaintiffs in a putative class action against SESAC alleging violations of Sections 1 and 2 of the Sherman Act (\u003cem\u003eMeredith Corporation, et al. v. SESAC LLC, et al.\u003c/em\u003e, (S.D.N.Y. 2014)). Resulted in a very favorable industry-wide settlement that provided $42.5 million in refunds to the stations and placed various restrictions on SESAC\u0026rsquo;s dealings with local television stations for a 20-year period.\u003c/p\u003e","\u003cp\u003e\u003cstrong\u003eAdditional Significant Litigation Experience:\u003c/strong\u003e\u003c/p\u003e\n\u003cp\u003eRepresenting Pandora Media in a group of copyright infringement cases coordinated by purported licensing collective, Word Collections, on behalf of alleged owners of the copyrights in jokes and comedy routines embodied in comedy sound recordings available on Pandora\u0026rsquo;s streaming service. In this case, the plaintiffs seek to disrupt decades of industry custom and practice by claiming that Pandora must separately license the underlying jokes from the sound recordings in which those jokes are embodied.\u003c/p\u003e","\u003cp\u003eRepresented a major pharmaceutical company in antitrust litigation alleging that a competitor foreclosed its product from the market in violation of Section 2 of the Sherman Act.\u003c/p\u003e","\u003cp\u003eRepresented a major consumer products retailer in litigation brought by the Federal Trade Commission attempting to block its proposed merger.\u003c/p\u003e"],"taggings":{"tags":[],"meta_tags":[]},"expertise":[{"id":74,"guid":"74.capabilities","index":0,"source":"capabilities"},{"id":129,"guid":"129.capabilities","index":1,"source":"capabilities"},{"id":3,"guid":"3.capabilities","index":2,"source":"capabilities"},{"id":5,"guid":"5.capabilities","index":3,"source":"capabilities"},{"id":118,"guid":"118.capabilities","index":4,"source":"capabilities"},{"id":133,"guid":"133.capabilities","index":5,"source":"capabilities"},{"id":1233,"guid":"1233.smart_tags","index":6,"source":"smartTags"}],"is_active":true,"last_name":"Ebin","nick_name":"Jacob","clerkships":[],"first_name":"Jacob","title_rank":9999,"updated_by":34,"law_schools":[{"id":722,"meta":{"degree":"J.D.","honors":"cum laude","is_law_school":"1","graduation_date":"2008-01-01 00:00:00"},"order":1,"pin_order":null,"pin_expiration":null}],"middle_name":" ","name_suffix":"","recognitions":[{"title":"“Top Music Lawyer”","detail":"Billboard Magazine"}],"linked_in_url":null,"seodescription":null,"primary_title_id":15,"translated_fields":{"en":{"bio":"\u003cp\u003eJacob Ebin advises clients on copyright, antitrust and other complex litigation matters. Jacob has represented public and private companies in a range of industries, with a particular concentration in the music industry. Jacob has worked on numerous high-profile disputes that have shaped music rate-setting law, for both new media and traditional media companies. Jacob has particular expertise before the ASCAP and BMI rate courts as well as before the Copyright Royalty Board, where he has tried four separate cases. Jacob also advises clients in connection with intellectual property licensing. Jacob has also been actively involved in representing clients before the U.S. Department of Justice and the U.S. Copyright Office as part of their recurring reviews of the music licensing landscape.[[--readmore--]]\u003c/p\u003e\n\u003cp\u003eJacob was formerly an analyst and manager at Lexecon, Inc. (now Compass Lexecon), one of the premier economic consulting firms. While there, he advised clients on antitrust and intellectual property disputes, with a focus on the music and energy industries.\u003c/p\u003e","matters":["\u003cp\u003e\u003cstrong\u003eMusic Licensing Trial Experience\u003c/strong\u003e\u003c/p\u003e\n\u003cp\u003eRepresented Spotify USA, Inc. in the successful appeal of a Copyright Royalty Board decision setting rates and terms for \u0026ldquo;mechanical\u0026rdquo; rights licenses to be paid to songwriters and music publishers as well as the resulting remand proceeding. (\u003cem\u003eJohnson v. Copyright Royalty Board\u003c/em\u003e).\u003c/p\u003e","\u003cp\u003eRepresented Sirius XM in a five-week trial before the Copyright Royalty Board in a litigation over appropriate royalty rates and terms for Sirius XM\u0026rsquo;s public performance of sound recordings. (\u003cem\u003eIn re Determination of Royalty Rates and Terms for Transmission of Sound Recordings by Satellite Radio and \u0026ldquo;Preexisting\u0026rdquo; Subscription Services\u003c/em\u003e (SDARS III)).\u003c/p\u003e","\u003cp\u003eRepresented Pandora in a five-week trial before the Copyright Royalty Board to set rates for so-called \u0026ldquo;mechanical\u0026rdquo; rights licenses to be paid to songwriters and music publishers. (\u003cem\u003eIn re Determination of Royalty Rates and Terms for Making and Distributing Phonorecords\u003c/em\u003e (Phonorecords III)).\u003c/p\u003e","\u003cp\u003eOn behalf of Pandora, secured highly favorable sound recording performance royalty rates for the 2016-2020 license period following a six-week trial before the Copyright Royalty Board; defended successfully on appeal to the D.C. Circuit. (\u003cem\u003eIn the Matter of Determination of Royalty Rates and Terms for Ephemeral Recording and Webcasting Digital Performance of Sound Recordings\u003c/em\u003e (Web IV)).\u003c/p\u003e","\u003cp\u003eRepresented Sirius XM in a royalty-rate setting victory following 19 days of trial in federal rate-setting litigation before the Copyright Royalty Board; defended successfully on appeal to the D.C. Circuit. (\u003cem\u003eIn the Matter of Determination of Rates and Terms for Preexisting Subscription Services and Satellite Digital Audio Radio Services\u003c/em\u003e (SDARS II)).\u003c/p\u003e","\u003cp\u003eRepresented background music service DMX, Inc. in a precedent-setting trial victory in the BMI Rate Court establishing rates and terms for the first ever BMI \u0026ldquo;Adjustable-Fee Blanket License\u0026rdquo;; defended successfully on appeal to the Second Circuit. (\u003cem\u003eBroadcast Music, Inc. v. DMX, Inc.\u003c/em\u003e).\u003c/p\u003e","\u003cp\u003eComplete trial victory for background music service DMX, Inc. in the ASCAP rate court establishing rates and terms for the first ever ASCAP \u0026ldquo;Adjustable Fee Blanket License\u0026rdquo;; defended successfully on appeal to the Second Circuit. (\u003cem\u003eUnited States v. ASCAP (In the Matter of DMX, Inc.\u003c/em\u003e)).\u003c/p\u003e","\u003cp\u003e\u003cstrong\u003eAdditional Music Licensing Experience\u003c/strong\u003e\u003c/p\u003e\n\u003cp\u003eRepresented the commercial local television industry in ASCAP license fee negotiations, recently securing a significant industry-wide license fee decrease without need to turn to litigation.\u003c/p\u003e","\u003cp\u003eRepresented the Digital Licensee Coordinator in the first ever \u0026ldquo;administrative assessment\u0026rdquo; proceeding to set the budget for the Mechanical License Collective.\u003c/p\u003e","\u003cp\u003eRepresented the commercial local television industry in SESAC license fee negotiations and arbitration in a proceeding to set reasonable rates and terms for SESAC licenses.\u003c/p\u003e","\u003cp\u003eRepresented the commercial local television industry in license fee negotiations and litigation before the ASCAP rate court in a proceeding to set reasonable rates and terms for ASCAP licenses. (\u003cem\u003eIn Re Petition of Duhamel Broadcasting Enterprises, et. al.\u003c/em\u003e).\u003c/p\u003e","\u003cp\u003eRepresented the commercial local television industry in license fee negotiations and litigation before the BMI rate court in a proceeding to set reasonable rates and terms for BMI licenses. (\u003cem\u003eWPIX, Inc. et al v. Broadcast Music, Inc.\u003c/em\u003e).\u003c/p\u003e","\u003cp\u003eRepresented the commercial radio industry in license fee negotiations and litigation before the ASCAP rate court in a proceeding to set reasonable rates and terms for ASCAP licenses. (\u003cem\u003eIn Re Application of the Cromwell Group, Inc.\u003c/em\u003e).\u003c/p\u003e","\u003cp\u003eRepresented the commercial radio industry in license fee negotiations and litigation before the BMI rate court in a proceeding to set reasonable rates and terms for BMI licenses. (\u003cem\u003eWithers Broadcasting Co., et al v. Broadcast Music, Inc.\u003c/em\u003e).\u003c/p\u003e","\u003cp\u003eSuccessfully represented a group of local television stations as plaintiffs in a putative class action against SESAC alleging violations of Sections 1 and 2 of the Sherman Act (\u003cem\u003eMeredith Corporation, et al. v. SESAC LLC, et al.\u003c/em\u003e, (S.D.N.Y. 2014)). Resulted in a very favorable industry-wide settlement that provided $42.5 million in refunds to the stations and placed various restrictions on SESAC\u0026rsquo;s dealings with local television stations for a 20-year period.\u003c/p\u003e","\u003cp\u003e\u003cstrong\u003eAdditional Significant Litigation Experience:\u003c/strong\u003e\u003c/p\u003e\n\u003cp\u003eRepresenting Pandora Media in a group of copyright infringement cases coordinated by purported licensing collective, Word Collections, on behalf of alleged owners of the copyrights in jokes and comedy routines embodied in comedy sound recordings available on Pandora\u0026rsquo;s streaming service. In this case, the plaintiffs seek to disrupt decades of industry custom and practice by claiming that Pandora must separately license the underlying jokes from the sound recordings in which those jokes are embodied.\u003c/p\u003e","\u003cp\u003eRepresented a major pharmaceutical company in antitrust litigation alleging that a competitor foreclosed its product from the market in violation of Section 2 of the Sherman Act.\u003c/p\u003e","\u003cp\u003eRepresented a major consumer products retailer in litigation brought by the Federal Trade Commission attempting to block its proposed merger.\u003c/p\u003e"],"recognitions":[{"title":"“Top Music Lawyer”","detail":"Billboard Magazine"}]},"locales":["en"]},"secondary_title_id":null,"upload_assignments":{"headshot":[{"id":13302}]},"capability_group_id":3},"created_at":"2026-01-20T22:04:00.000Z","updated_at":"2026-01-20T22:04:00.000Z","searchable_text":"Ebin{{ FIELD }}{:title=\u0026gt;\"“Top Music Lawyer”\", :detail=\u0026gt;\"Billboard Magazine\"}{{ FIELD }}Music Licensing Trial Experience\nRepresented Spotify USA, Inc. in the successful appeal of a Copyright Royalty Board decision setting rates and terms for “mechanical” rights licenses to be paid to songwriters and music publishers as well as the resulting remand proceeding. (Johnson v. Copyright Royalty Board).{{ FIELD }}Represented Sirius XM in a five-week trial before the Copyright Royalty Board in a litigation over appropriate royalty rates and terms for Sirius XM’s public performance of sound recordings. (In re Determination of Royalty Rates and Terms for Transmission of Sound Recordings by Satellite Radio and “Preexisting” Subscription Services (SDARS III)).{{ FIELD }}Represented Pandora in a five-week trial before the Copyright Royalty Board to set rates for so-called “mechanical” rights licenses to be paid to songwriters and music publishers. (In re Determination of Royalty Rates and Terms for Making and Distributing Phonorecords (Phonorecords III)).{{ FIELD }}On behalf of Pandora, secured highly favorable sound recording performance royalty rates for the 2016-2020 license period following a six-week trial before the Copyright Royalty Board; defended successfully on appeal to the D.C. Circuit. (In the Matter of Determination of Royalty Rates and Terms for Ephemeral Recording and Webcasting Digital Performance of Sound Recordings (Web IV)).{{ FIELD }}Represented Sirius XM in a royalty-rate setting victory following 19 days of trial in federal rate-setting litigation before the Copyright Royalty Board; defended successfully on appeal to the D.C. Circuit. (In the Matter of Determination of Rates and Terms for Preexisting Subscription Services and Satellite Digital Audio Radio Services (SDARS II)).{{ FIELD }}Represented background music service DMX, Inc. in a precedent-setting trial victory in the BMI Rate Court establishing rates and terms for the first ever BMI “Adjustable-Fee Blanket License”; defended successfully on appeal to the Second Circuit. (Broadcast Music, Inc. v. DMX, Inc.).{{ FIELD }}Complete trial victory for background music service DMX, Inc. in the ASCAP rate court establishing rates and terms for the first ever ASCAP “Adjustable Fee Blanket License”; defended successfully on appeal to the Second Circuit. (United States v. ASCAP (In the Matter of DMX, Inc.)).{{ FIELD }}Additional Music Licensing Experience\nRepresented the commercial local television industry in ASCAP license fee negotiations, recently securing a significant industry-wide license fee decrease without need to turn to litigation.{{ FIELD }}Represented the Digital Licensee Coordinator in the first ever “administrative assessment” proceeding to set the budget for the Mechanical License Collective.{{ FIELD }}Represented the commercial local television industry in SESAC license fee negotiations and arbitration in a proceeding to set reasonable rates and terms for SESAC licenses.{{ FIELD }}Represented the commercial local television industry in license fee negotiations and litigation before the ASCAP rate court in a proceeding to set reasonable rates and terms for ASCAP licenses. (In Re Petition of Duhamel Broadcasting Enterprises, et. al.).{{ FIELD }}Represented the commercial local television industry in license fee negotiations and litigation before the BMI rate court in a proceeding to set reasonable rates and terms for BMI licenses. (WPIX, Inc. et al v. Broadcast Music, Inc.).{{ FIELD }}Represented the commercial radio industry in license fee negotiations and litigation before the ASCAP rate court in a proceeding to set reasonable rates and terms for ASCAP licenses. (In Re Application of the Cromwell Group, Inc.).{{ FIELD }}Represented the commercial radio industry in license fee negotiations and litigation before the BMI rate court in a proceeding to set reasonable rates and terms for BMI licenses. (Withers Broadcasting Co., et al v. Broadcast Music, Inc.).{{ FIELD }}Successfully represented a group of local television stations as plaintiffs in a putative class action against SESAC alleging violations of Sections 1 and 2 of the Sherman Act (Meredith Corporation, et al. v. SESAC LLC, et al., (S.D.N.Y. 2014)). Resulted in a very favorable industry-wide settlement that provided $42.5 million in refunds to the stations and placed various restrictions on SESAC’s dealings with local television stations for a 20-year period.{{ FIELD }}Additional Significant Litigation Experience:\nRepresenting Pandora Media in a group of copyright infringement cases coordinated by purported licensing collective, Word Collections, on behalf of alleged owners of the copyrights in jokes and comedy routines embodied in comedy sound recordings available on Pandora’s streaming service. In this case, the plaintiffs seek to disrupt decades of industry custom and practice by claiming that Pandora must separately license the underlying jokes from the sound recordings in which those jokes are embodied.{{ FIELD }}Represented a major pharmaceutical company in antitrust litigation alleging that a competitor foreclosed its product from the market in violation of Section 2 of the Sherman Act.{{ FIELD }}Represented a major consumer products retailer in litigation brought by the Federal Trade Commission attempting to block its proposed merger.{{ FIELD }}Jacob Ebin advises clients on copyright, antitrust and other complex litigation matters. Jacob has represented public and private companies in a range of industries, with a particular concentration in the music industry. Jacob has worked on numerous high-profile disputes that have shaped music rate-setting law, for both new media and traditional media companies. Jacob has particular expertise before the ASCAP and BMI rate courts as well as before the Copyright Royalty Board, where he has tried four separate cases. Jacob also advises clients in connection with intellectual property licensing. Jacob has also been actively involved in representing clients before the U.S. Department of Justice and the U.S. Copyright Office as part of their recurring reviews of the music licensing landscape.\nJacob was formerly an analyst and manager at Lexecon, Inc. (now Compass Lexecon), one of the premier economic consulting firms. While there, he advised clients on antitrust and intellectual property disputes, with a focus on the music and energy industries. Partner “Top Music Lawyer” Billboard Magazine Brandeis University  Fordham University Fordham University School of Law U.S. Court of Appeals for the Second Circuit U.S. District Court for the Southern District of New York Massachusetts New York Music Licensing Trial Experience\nRepresented Spotify USA, Inc. in the successful appeal of a Copyright Royalty Board decision setting rates and terms for “mechanical” rights licenses to be paid to songwriters and music publishers as well as the resulting remand proceeding. (Johnson v. Copyright Royalty Board). Represented Sirius XM in a five-week trial before the Copyright Royalty Board in a litigation over appropriate royalty rates and terms for Sirius XM’s public performance of sound recordings. (In re Determination of Royalty Rates and Terms for Transmission of Sound Recordings by Satellite Radio and “Preexisting” Subscription Services (SDARS III)). Represented Pandora in a five-week trial before the Copyright Royalty Board to set rates for so-called “mechanical” rights licenses to be paid to songwriters and music publishers. (In re Determination of Royalty Rates and Terms for Making and Distributing Phonorecords (Phonorecords III)). On behalf of Pandora, secured highly favorable sound recording performance royalty rates for the 2016-2020 license period following a six-week trial before the Copyright Royalty Board; defended successfully on appeal to the D.C. Circuit. (In the Matter of Determination of Royalty Rates and Terms for Ephemeral Recording and Webcasting Digital Performance of Sound Recordings (Web IV)). Represented Sirius XM in a royalty-rate setting victory following 19 days of trial in federal rate-setting litigation before the Copyright Royalty Board; defended successfully on appeal to the D.C. Circuit. (In the Matter of Determination of Rates and Terms for Preexisting Subscription Services and Satellite Digital Audio Radio Services (SDARS II)). Represented background music service DMX, Inc. in a precedent-setting trial victory in the BMI Rate Court establishing rates and terms for the first ever BMI “Adjustable-Fee Blanket License”; defended successfully on appeal to the Second Circuit. (Broadcast Music, Inc. v. DMX, Inc.). Complete trial victory for background music service DMX, Inc. in the ASCAP rate court establishing rates and terms for the first ever ASCAP “Adjustable Fee Blanket License”; defended successfully on appeal to the Second Circuit. (United States v. ASCAP (In the Matter of DMX, Inc.)). Additional Music Licensing Experience\nRepresented the commercial local television industry in ASCAP license fee negotiations, recently securing a significant industry-wide license fee decrease without need to turn to litigation. Represented the Digital Licensee Coordinator in the first ever “administrative assessment” proceeding to set the budget for the Mechanical License Collective. Represented the commercial local television industry in SESAC license fee negotiations and arbitration in a proceeding to set reasonable rates and terms for SESAC licenses. Represented the commercial local television industry in license fee negotiations and litigation before the ASCAP rate court in a proceeding to set reasonable rates and terms for ASCAP licenses. (In Re Petition of Duhamel Broadcasting Enterprises, et. al.). Represented the commercial local television industry in license fee negotiations and litigation before the BMI rate court in a proceeding to set reasonable rates and terms for BMI licenses. (WPIX, Inc. et al v. Broadcast Music, Inc.). Represented the commercial radio industry in license fee negotiations and litigation before the ASCAP rate court in a proceeding to set reasonable rates and terms for ASCAP licenses. (In Re Application of the Cromwell Group, Inc.). Represented the commercial radio industry in license fee negotiations and litigation before the BMI rate court in a proceeding to set reasonable rates and terms for BMI licenses. (Withers Broadcasting Co., et al v. Broadcast Music, Inc.). Successfully represented a group of local television stations as plaintiffs in a putative class action against SESAC alleging violations of Sections 1 and 2 of the Sherman Act (Meredith Corporation, et al. v. SESAC LLC, et al., (S.D.N.Y. 2014)). Resulted in a very favorable industry-wide settlement that provided $42.5 million in refunds to the stations and placed various restrictions on SESAC’s dealings with local television stations for a 20-year period. Additional Significant Litigation Experience:\nRepresenting Pandora Media in a group of copyright infringement cases coordinated by purported licensing collective, Word Collections, on behalf of alleged owners of the copyrights in jokes and comedy routines embodied in comedy sound recordings available on Pandora’s streaming service. In this case, the plaintiffs seek to disrupt decades of industry custom and practice by claiming that Pandora must separately license the underlying jokes from the sound recordings in which those jokes are embodied. Represented a major pharmaceutical company in antitrust litigation alleging that a competitor foreclosed its product from the market in violation of Section 2 of the Sherman Act. Represented a major consumer products retailer in litigation brought by the Federal Trade Commission attempting to block its proposed merger.","searchable_name":"Jacob Ebin","is_active":true,"featured":null,"publish_date":null,"expiration_date":null,"blog_featured":null,"published_by":34,"capability_group_featured":null,"home_page_featured":null},{"id":446860,"version":1,"owner_type":"Person","owner_id":6839,"payload":{"bio":"\u003cp\u003eBeatrice Edler advises clients in various industries on\u0026nbsp;data privacy, cybersecurity,\u0026nbsp;and healthcare regulatory matters, including matters involving regulatory compliance and product counseling, AI, enforcement actions and investigations,\u0026nbsp;mergers and acquisitions,\u0026nbsp;and complex healthcare and reimbursement\u0026nbsp;litigation matters.\u0026nbsp;[[--readmore--]]\u003c/p\u003e\n\u003cp\u003eBeatrice is an associate in the Data Privacy and Security practice where she advice clients in multiple jurisdictions on U.S. federal and state law and EU law.\u0026nbsp;Prior to joining the firm, Beatrice has six years of experience as a Swedish lawyer primarily working with EU regulatory matters and transactions related to data protection, health technology, and intellectual property law. She worked at one of the largest transaction-focused law firms in the Nordics where she assisted multinational clients across various industries with M\u0026amp;A transactions, compliance projects, complex multijurisdictional contracts, and regulatory investigations. Most recently, she comes from a senior legal counsel role at one of the largest digital health care providers in the Nordics. Beatrice received her law degree and LL.M. from Lund University School of Law, and pursued a second LL.M. at New York University School of Law.\u003c/p\u003e\n\u003cp\u003e\u003cbr data-cke-eol=\"1\" /\u003e\u003cbr /\u003e\u003c/p\u003e","slug":"beatrice-edler","email":"bedler@kslaw.com","phone":null,"matters":null,"taggings":{"tags":[],"meta_tags":[]},"expertise":[{"id":6,"guid":"6.capabilities","index":0,"source":"capabilities"},{"id":24,"guid":"24.capabilities","index":1,"source":"capabilities"},{"id":81,"guid":"81.capabilities","index":2,"source":"capabilities"},{"id":115,"guid":"115.capabilities","index":3,"source":"capabilities"},{"id":133,"guid":"133.capabilities","index":4,"source":"capabilities"},{"id":103,"guid":"103.capabilities","index":5,"source":"capabilities"},{"id":118,"guid":"118.capabilities","index":6,"source":"capabilities"}],"is_active":true,"last_name":"Edler","nick_name":"Beatrice","clerkships":[],"first_name":"Beatrice","title_rank":9999,"updated_by":202,"law_schools":[{"id":1406,"meta":{"degree":"LL.M.","honors":"","is_law_school":"1","graduation_date":"2024-01-01 00:00:00"},"order":1,"pin_order":null,"pin_expiration":null}],"middle_name":" ","name_suffix":"","recognitions":null,"linked_in_url":null,"seodescription":null,"primary_title_id":2,"translated_fields":{"en":{"bio":"\u003cp\u003eBeatrice Edler advises clients in various industries on\u0026nbsp;data privacy, cybersecurity,\u0026nbsp;and healthcare regulatory matters, including matters involving regulatory compliance and product counseling, AI, enforcement actions and investigations,\u0026nbsp;mergers and acquisitions,\u0026nbsp;and complex healthcare and reimbursement\u0026nbsp;litigation matters.\u0026nbsp;[[--readmore--]]\u003c/p\u003e\n\u003cp\u003eBeatrice is an associate in the Data Privacy and Security practice where she advice clients in multiple jurisdictions on U.S. federal and state law and EU law.\u0026nbsp;Prior to joining the firm, Beatrice has six years of experience as a Swedish lawyer primarily working with EU regulatory matters and transactions related to data protection, health technology, and intellectual property law. She worked at one of the largest transaction-focused law firms in the Nordics where she assisted multinational clients across various industries with M\u0026amp;A transactions, compliance projects, complex multijurisdictional contracts, and regulatory investigations. Most recently, she comes from a senior legal counsel role at one of the largest digital health care providers in the Nordics. Beatrice received her law degree and LL.M. from Lund University School of Law, and pursued a second LL.M. at New York University School of Law.\u003c/p\u003e\n\u003cp\u003e\u003cbr data-cke-eol=\"1\" /\u003e\u003cbr /\u003e\u003c/p\u003e"},"locales":["en"]},"secondary_title_id":null,"upload_assignments":{"headshot":[{"id":12116}]},"capability_group_id":2},"created_at":"2026-03-19T16:33:31.000Z","updated_at":"2026-03-19T16:33:31.000Z","searchable_text":"Edler{{ FIELD }}Beatrice Edler advises clients in various industries on data privacy, cybersecurity, and healthcare regulatory matters, including matters involving regulatory compliance and product counseling, AI, enforcement actions and investigations, mergers and acquisitions, and complex healthcare and reimbursement litigation matters. \nBeatrice is an associate in the Data Privacy and Security practice where she advice clients in multiple jurisdictions on U.S. federal and state law and EU law. Prior to joining the firm, Beatrice has six years of experience as a Swedish lawyer primarily working with EU regulatory matters and transactions related to data protection, health technology, and intellectual property law. She worked at one of the largest transaction-focused law firms in the Nordics where she assisted multinational clients across various industries with M\u0026amp;A transactions, compliance projects, complex multijurisdictional contracts, and regulatory investigations. Most recently, she comes from a senior legal counsel role at one of the largest digital health care providers in the Nordics. Beatrice received her law degree and LL.M. from Lund University School of Law, and pursued a second LL.M. at New York University School of Law.\n Associate Lund University  New York University New York University School of Law New York","searchable_name":"Beatrice Edler","is_active":true,"featured":null,"publish_date":null,"expiration_date":null,"blog_featured":null,"published_by":202,"capability_group_featured":null,"home_page_featured":null}]}}